Відео

More you give more you get back! 👏🙂✅️✅️✅️

Very familiar to any orchestra but here played with Gustavo 🤩

…the will to attach yourself to it…. Sometimes you don’t need the will. The beauty of the music grabs you, so you stay with it even beyond the last note.

Music always smiles and cries at the same time. ua-cam.com/video/LCKZDSIHV80/v-deo.html

Concertgebouw in splendid form! One of the best oboe lead-ins to the 1st movement recap, excellent flute playing in the 3rd movement, beautiful string sound in 2nd and 3rd movements in particular and marvelous energy and rhythmic precision in the finale. Super performance.

🎻🙇‍♀️💕🌹✨🍃

Dale Daniel!! Juntate con Marta Argerich para un homenaje a Charly Garcia y la argentinidad, no hay nada más divertido y feliz que ser argentino. Decile al otario de Jose Cura que no sea tan pelotudo y habilite los comentarios de oyentes. Nadie como los argentinos han de proporcionar admiración, entusiasmo y apoyo por sus artistas; lo cual es imposible si el pajero no habilita los comentarios de audiencia. Vamos!! Homenaje de los grandes al gran Charly antes de que se nos vaya

3:40 vulnerability/giving yourself to the music

❤

It makes me wonder if the melodies Mendelssohn borrowed for this work, while in Italy, have survived outside of this symphony? Many composers were known for borrowing from songs and melodies they heard while on their travels. Of course, they would have added their touch and spin to them.

Music is the most important, moving art for me and I wonder why. Its abstract. I react to it differently: I follow Beethoven. Mozart, Schubert,... But Debussy and Chopin melt me. It absorbs me completely

Find a score to follow on UA-cam. Even if you can't really read music, seeing helps hearing.

I too hate the tax inspectors.

Jesus ........ this made me cry .............

Why he is not sitting next to a Barenboim piano? I thought he plays on a Barenboim piano. Now he prefers a Steinway?

Toll! Toll! Toll!

Wonderful teacher and person. Thanks.

11:18 II

I absolutely loved this talk. As a classical music lover I have been listening to videos on listening to classical music to improve my listening. Also I took music appreciation in college in both cases I felt so much technical theory can intimidate a person just listening for the first time. As he makes it clear you listen for the beautiful sounds and entertainment. I admire him both as a conductor and musician

I listen frequently to several late compositions of Bach over and over again. Inadvertently I discovered while I was doing something else at the same time, I found myself in a frame of mind I can call being choicelessly aware, I had the highest enjoyment of this music I love. It does not happen every time. Allow yourself to be moved.

WOW Yes!!!!

Perhaps you can give us a few minutes about Bach and explain what is Bach-Busoni

Barenboim is my mentor. Genius.

Prettiest violinist in the world - and one of the best too.

Thank you, maestro!

I can't work with music I don't fully understand. Ever since I was 5 years old I would find I loved certain songs more than others, and I would ask my dad to replay them over and over. I would listen to the songs I loved the most what many might call an unhealthy amount of times. It wasn't until I fully understood a song, until I memorized every instrument, every word, every moment of it, that I would move on to obsess with a new song. These songs that I would fully understand, this is the music I could work and study with (or at least pretend to), because of my understanding of these pieces, I could put them in the background, and they would help me set my mind in a certain state, often tied to the feelings and the mood that I personally associated with that specific piece. If I try to do any kind of work or activity with a song in the background, a song that I don't know, that I don't fully understand, to its core, I can't do anything. In a way, I think this goes in hand with what Mr. Barenboim is saying here. I never take music for granted, it's not an accessory or something I use as a tool. Rather, its a state of mind, it's like changing the settings of a TV to fine-tune the watching experience, only with music it's more like fine-tuning the experience of life. It sounds corny, but I think it makes makes sense.

Fabulosity! Bravo!

I recommend jazz and bebop music to classical fans

Wonderful, wise words of eternal truth.

Saltarello (Presto)- 23:25

What an eloquent gentleman! I LOVE classical music and notice how frequently it makes me cry and maybe the composition I listened to has elements of sadness that evoke these feelings.

Hoy como nunca antes este "bis" en forma de variaciones sobre "Reve te Dnipr" es más necesario. 👍👍👍👍👍

I hope it gets recognition in these hard times now .. I pray and hope for Ukraine to win over the Russian regime and their evil purpose.

Glad I found this. Wise words that we all need. We just need to slow down, listen, and let the music and our minds/souls take it in. Thanks for sharing 👍

This movement (courante) is a ballroom dance. I want to see Nicolas to dance at this tempo.

Anyone that doesn't like this video has to be a very very damage person.

Questa performance e la sinfonia sono meravigliosamente giocose ed esuberanti. L'acustica del Concertgebouw è superba, così come l'audio stesso. Complimenti!

This man is gods messenger, listen.

Pure music is from heaven through genuine and that is realized by excellent performers. Good audience can make that their spiritual property.

Music is life, is heart! ❤

Bravo maestro

Absolutely true!

ДЯКУЮ!!!

Brilliant.

Wonderful

He speaks from my heart. I'm 17, and I don't know much music theory. But my will to listen to rhythm and harmony lets me enjoy classical music more than popular songs. I admit I don't understand Mozart's genius (yet), but I'm able to follow Beethoven's river of music. Cheers!

I've never thought about music from that standpoint. Thank you

Does anyone now the name of the introductory piece?

Wow.

The honourable Daniel Barenboim is not speaking in his first language yet there is no misjudging his conveyance if English is your first language. To listen is the first step. To discern which instruments are present does to some degree take a first-hand familiarity as the second step.Anybody who has grown up with classical music will come to differentiate the viola from the violin or the clarinet from the oboe and so on. Some instruments like the harp and a piano are very easy to differentiate. As it is known today classical music is somewhere in the region of 500 years old and therefore being aware of what is going on in detail in terms of orchestral music can be daunting at times and challenging at others. My personal preference is for solo performances and here it is necessary to have a little experience of playing any instrument to gather instinctively what it is the composer is conveying through the piece. Greensleeves, ode to joy or pachelbels canon are easy introductory pieces yet a greater appreciation of the fundamentals of musical structure is necessary to understand depth and complexity of grander pieces. Variance in timing and its influence on rhythm is not necessarily apparent to the casual listener much less the inattentive one. Major and minor scales and chords if tackled at a rudimentary level and no further lend a greater understanding of music later in life.Dissonance in relation to Harmony is yet another aspect that a casual listener may or may not discern. And so it is that classical music is not something you recommend the deep end to for someone who has heard it only in passing.